{"id":7085,"date":"2023-05-16T12:19:42","date_gmt":"2023-05-16T10:19:42","guid":{"rendered":"https:\/\/www.ckplac.org\/?p=7085"},"modified":"2023-05-16T12:19:42","modified_gmt":"2023-05-16T10:19:42","slug":"filmski-cetvrtak-nova-skola-dokumentarnog-filma-rijeka","status":"publish","type":"post","link":"https:\/\/www.ckplac.org\/en\/2023\/05\/16\/filmski-cetvrtak-nova-skola-dokumentarnog-filma-rijeka\/","title":{"rendered":"FILMSKI \u010cETVRTAK (NOVA \u0160KOLA DOKUMENTARNOG FILMA, RIJEKA)"},"content":{"rendered":"<div class=\"qode-post-text-main\">\n<div class=\"iYB33c\">\n<div class=\"dlJLJe\">\n<div>Tre\u0107eg \u010detvrtka u mesecu, 18. maja 2023. godine, od 19 \u010dasova, u prostoru Klare i Rose (Petefi \u0160andora 15) prikazujemo izbor filmova Nove \u0161kole dokumentarnog filma u Rijeci.<\/div>\n<\/div>\n<div><\/div>\n<\/div>\n<div><\/div>\n<div>The entry is free<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>PROGRAM:<\/strong><\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>Martin Torpedo \u2013 HR \/\/ 2021 \/\/ 13\u2032<\/strong><\/div>\n<div>Martin je starac bez doma koji je svoje mjesto pod suncem prona\u0161ao u maloj luci biv\u0161e tvorniceTorpedo. Tik do mora, u napu\u0161tenom betoniranom prostoru, skrasio se s ne\u0161to svoje imovine.Slika, \u0161tap za pecanje i bicikl. Sve su to neophodni rekviziti u borbi protiv dosade.<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>Mia ide u Li\u010dko Petrovo Selo \/ Mia goes to Li\u010dko Petrovo Selo<\/strong><\/div>\n<div>re\u017e: Natalija Stefanovi\u0107, dokumentarni, 9\u2032, 2020.<\/div>\n<div>Mia upoznaje ljubav svog \u017eivota (Adnana) netom prije pojave Covid virusa. Nakon vi\u0161emjese\u010dne izolacije u razli\u010ditim dr\u017eavama, Mia se bori s grani\u010dnom policijom kako bi se susrela s Adnananom prije slu\u017ebenog otvaranja granica. Film \u201cMia ide u Li\u010dko Petrovo Selo\u201d prati njen put do samog grani\u010dnog prijelaza.<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>Jednog petka popodne \u2013 Lucija Brkic HR \/\/ 2021 \/\/ 10\u2032<\/strong><\/div>\n<div>Stvarnost koju \u017eivimo mo\u017eda nije ona koju smo izabrali. Kako je onda prihvatiti? Jednog petka popodne prikazuje upravo takvu stvarnost, jedan prkos i dvije, tri boli. U kaosu zvukova i misli, glavno pitanje je: kako se boriti protiv ne\u010dega \u0161to je dio mene?<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>Sve kaj ti nikad ne budem rekla re\u017eija \/\/ directed by Bela Bra\u010dko Mile\u0161evi\u0107<\/strong><\/div>\n<div>Kombinacijom starih fotografija, umjetnih sje\u0107anja i preispitivanja osje\u0107aja nastalih manjkom me\u0111ugeneracijske komunikacije dolazi do rekonstrukcije pater familiasa.<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>Flora \/\/ 2021 \/\/ 9\u2032<\/strong><\/div>\n<div>Muzi\u010dki konzervatorij, izlasci, vinograd. Flora je poput flore, postepeno otkriva pravu sebe.<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>Nokturno (Nocturne)HR \/\/ 2021 \/\/ 11\u2032<\/strong><\/div>\n<div>Uranjanjem u misli, izo\u0161trenih osjetila no\u0107u, postajem tihi promatra\u010d skrivenih no\u0107nih pri-zora, tajnog \u017eivota (ostalih) ne-spava\u010da. Pritom se vizualni i audionarativni akteri me\u0111u-sobno preta\u010du, nadopunjuju, reflektiraju jedni u drugima. Ovo je film koji je nastao iz potrebe prou\u010davanja vlastitog poreme\u0107aja spavanja. Iz potrebe shva\u0107anja (prihva\u0107anja) dijela sebe.<\/div>\n<div class=\"tw-menu\"><\/div>\n<div>#klarairosa<\/div>\n<div><\/div>\n<div><\/div>\n<\/div>\n<div class=\"qode-post-info-bottom clearfix\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Tre\u0107eg \u010detvrtka u mesecu, 18. maja 2023. godine, od 19 \u010dasova, u prostoru Klare i&#8230;<\/p>","protected":false},"author":2,"featured_media":7087,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[40],"tags":[67,53],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/posts\/7085"}],"collection":[{"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/comments?post=7085"}],"version-history":[{"count":1,"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/posts\/7085\/revisions"}],"predecessor-version":[{"id":7088,"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/posts\/7085\/revisions\/7088"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/media\/7087"}],"wp:attachment":[{"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/media?parent=7085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/categories?post=7085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ckplac.org\/en\/wp-json\/wp\/v2\/tags?post=7085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}